George Monbiot: How A Dark Money Network Is Taking Power On Both Sides Of The Atlantic
It took corporate America a while to warm to Donald Trump. Some of his positions, especially on trade, horrified business leaders. Many of them favoured Ted Cruz or Scott Walker. But once he had secured the nomination, the big money began to recognise an unprecedented opportunity.
Trump was prepared not only to promote the cause of corporations in government, but to turn government into a kind of corporation, staffed and run by executives and lobbyists. His incoherence was not a liability but an opening: his agenda could be shaped. And the dark money network that some American corporations had already developed was perfectly positioned to shape it.
Dark money is the term used in the US for the undisclosed funding of organisations involved in political advocacy. Few people would see a tobacco company as a credible source on public health, or a coal company as a neutral commentator on climate change. To advance their political interests, such companies must pay others to speak on their behalf.
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Soon after the Second World War, some of America’s richest people began setting up a network of thinktanks to promote their interests. These purport to offer dispassionate opinions on public affairs. But they are more like corporate lobbyists, working on behalf of those who founded and fund them. These are the organisations now running much of the Trump administration.
We have no hope of understanding what is coming until we understand how the dark money network operates. The remarkable story of a British member of parliament provides a unique insight into this network, on both sides of the Atlantic. His name is Liam Fox. Six years ago, his political career seemed to be over.
The scandal he had caused by mixing his private and official interests, that was highly embarrassing to David Cameron’s government, had forced him to resign as Secretary of State for Defence. But today he is back on the front bench, with a crucial and sensitive portfolio: Secretary of State for International Trade.
In 1997, the year the Conservatives lost office to Tony Blair, Liam Fox, who sits on the hard right of the parliamentary Conservative party, founded an organisation called The Atlantic Bridge. Its patron was Margaret Thatcher. On its advisory council sat the future cabinet ministers Michael Gove, George Osborne, William Hague and Chris Grayling. Fox, who became a leading campaigner for Brexit, described the mission of The Atlantic Bridge as “to bring people together who have common interests”. It would defend these interests from “European integrationists who would like to pull Britain away from its relationship with the United States”.
The Atlantic Bridge was later registered as a charity. It was part of the UK’s own dark money network: only after it collapsed did we discover the full story of who had funded it.
Its main sponsor was the immensely rich Michael Hintze, who worked at Goldman Sachs before setting up his own hedge fund, CQS. Hintze is one of the Conservative party’s biggest donors. In 2012, he was revealed as a funder of the Global Warming Policy Foundation, that casts doubt on the science of climate change. As well as making cash grants and loans to The Atlantic Bridge, he lent Liam Fox his private jet to fly to and from Washington.
Another funder was the drug company Pfizer. It paid for a researcher at The Atlantic Bridge called Gabby Bertin. She went on to become David Cameron’s press secretary, and now sits in the House of Lords: Cameron gave her a life peerage in his resignation honours list.
In 2007, a group called the American Legislative Exchange Council (ALEC) set up a sister organisation, The Atlantic Bridge Project, to run the US arm of Fox’s initiative. ALEC is perhaps the most controversial of the corporate-funded thinktanks in the US. It specialises in bringing together corporate lobbyists with state and federal legislators to develop “model bills”. The legislators and their families enjoy lavish hospitality from the group, then take the model bills home with them, to promote as if they were their own initiatives.
ALEC has claimed that over 1000 of its bills are introduced by legislators every year, and one in five of them becomes law. It has been heavily funded by tobacco companies, the oil company Exxon, drug companies and Charles and David Koch: the billionaires who founded the first Tea Party organisations. Pfizer, that funded Gabby Bertin’s post at The Atlantic Bridge, sits on ALEC’s corporate board. Some of the most contentious legislation in recent years, such as state bills lowering the minimum wage, bills granting corporations immunity from prosecution and the “ag-gag” laws, forbidding people to investigate factory farming practices, were developed by ALEC.
To run the US arm of Atlantic Bridge, ALEC brought in its director of international relations, Catherine Bray. She is a British woman who had previously worked for the Conservative member of the European Parliament Richard Ashworth and the UKIP member Roger Helmer. She has subsequently worked for the man who brought us Brexit, Daniel Hannan. In 2015, she married Wells Griffith, who became the battleground states director for Trump’s presidential campaign.
Among the members of The Atlantic Bridge’s US advisory council were the ultra-conservative senators James Inhofe, Jon Kyl and Jim DeMint. James Inhofe is reported to have received over $2 million in campaign finance from coal and oil companies. Both Koch Industries and ExxonMobil have been major donors. Coincidentally, he has described man-made global warming as “the greatest hoax ever perpetrated on the American people”.
Jon Kyle, now retired, is currently acting as the “sherpa” guiding Jeff Sessions’s nomination as Trump’s attorney general through the Senate.
Jim DeMint resigned his seat in the Senate to become president of the Heritage Foundation, which is probably, after ALEC, the second most controversial thinktank in America. It was founded with a large grant from Joseph Coors, heir to the Coors brewing empire, then built up with money from the banking and oil billionaire Richard Mellon Scaife. Like ALEC, it has been richly funded by the Koch Brothers. Heritage, under DeMint’s presidency, drove the attempt to ensure that Congress refused to pass the federal budget, temporarily shutting down the government. Fox’s former special adviser at the Ministry of Defence, an American called Luke Coffey, now works for the foundation.
The Heritage Foundation is now at the heart of Trump’s administration. Its board members, fellows and staff comprise a large part of his transition team. Among them are Rebekah Mercer, who sits on Trump’s executive committee, Steven Groves and Jim Carafano (State Department), Curtis Dubay (Treasury) and Ed Meese, Paul Winfree, Russ Vought and John Gray(Management and Budget). CNN reports that “no other Washington institution has that kind of footprint in the transition”.
Trump’s extraordinary plan to cut federal spending by $10.5 trillion was drafted by the Heritage Foundation, which called it a “Blueprint for a New Administration”. Russ Vought and John Gray, who moved onto Trump’s team from Heritage, are now turning this blueprint into his first budget.
It will, if passed, inflict devastating cuts on healthcare, social security, legal aid, financial regulation and environmental protections, eliminate programmes to prevent violence against women, to defend civil rights and fund the arts, and will privatise the Corporation for Public Broadcasting. Trump, as you follow this story, begins to look less like a president and more like an intermediary: implementing an agenda that has been handed down to him.
In July last year, soon after he became trade secretary, Liam Fox flew to Washington. One of his first stops was a place he has visited often over the past 15 years: the office of the Heritage Foundation, where he spoke among others to Jim DeMint. A freedom of information request reveals that one of the topics raised at the meeting was the European ban on American chicken washed in chlorine: a ban that producers hope the UK will lift under a new trade agreement. Afterwards, Fox wrote to DeMint, looking forward to “working with you as the new UK government develops its trade policy priorities, including in high value areas that we discussed such as defence.”
How did Fox get to be in this position, after the scandal that brought him down six years ago? The scandal itself provides a possible clue: it involved a crossing of the boundaries between public and private interests. The man who ran the UK branch of The Atlantic Bridge was his friend Adam Werrity, who operated out of Michael Hintze’s office building. Werrity’s work became entangled with Liam Fox’s official business as defence secretary. Werritty, who carried a business card naming him as Fox’s adviser but was never employed by the Ministry of Defence, joined the secretary of state on numerous ministerial visits overseas, and made frequent visits to Fox’s office.
By the time details of this relationship began to leak, the Charity Commission had investigated The Atlantic Bridge and determined that its work didn’t look very charitable. It had to pay back the tax from which it had been exempted (Hintze picked up the bill). In response, the trustees shut the organisation down. As the story about Adam Werrity’s unauthorised involvement in the business of government began to grow, Fox made a number of misleading statements. He was left with no choice but to resign.
So when Theresa May brought him back into government, and gave him a portfolio that should, in principle, involve setting clear boundaries between public and private interests, it was as strong a signal as we might receive about the intentions of her government.
The trade treaties that Fox is charged with developing set the limits of sovereignty. US food and environmental standards tend to be lower than ours, and they will become lower still if Trump gets his way. Any trade treaty we strike will create a common set of standards for products and services. Trump’s administration will demand that ours are adjusted downwards, so that US corporations can penetrate our markets without having to modify their practices. All the cards, following the Brexit vote, are in US hands: if the UK resists, there will be no treaty. What May needed – even before Trump became president – was a person prepared to strike such a deal.
As the Financial Times reports, “the election of Donald Trump has transformed the fortunes of Liam Fox”. He is now “an indispensable member of Theresa May’s front bench team”. The shadow diplomatic mission he developed through The Atlantic Bridge plugs him straight into the Trump administration.
Long before Trump won, campaign funding in the US had systematically corrupted the political system. A new analysis by US political scientists finds an almost perfect linear relationship, across 32 years, between the money gathered by the two parties for congressional elections and their share of the vote. But there has also been a shift over these years: corporate donors have come to dominate this funding.
By tying our fortunes to those of the United States, the government binds us into this system. This is part of what Brexit is about: European laws protecting the public interest were portrayed by Conservative Eurosceptics as intolerable intrusions on corporate freedom. Taking back control from Europe means closer integration with the US. The transatlantic special relationship is a special relationship between political and corporate power.
In April 1938, President Franklin Roosevelt sent the US Congress the following warning. “The liberty of a democracy is not safe if the people tolerate the growth of private power to a point where it becomes stronger than their democratic state itself. That, in its essence, is fascism.” It is a warning we would do well to remember.
George Monbiot is a British writer known for his environmental and political activism. He writes a weekly column for The Guardian and is a bestselling author. His latest book is How Did We Get into This Mess? Politics, Equality, Nature. His latest project is Breaking the Spell of Loneliness, a concept album written with the musician Ewan McLennan. This article first appeared at www.guardian.co.uk